It was one of those weeks when I was furiously scrambling around town, trying desperately to get something off the ground that will probably never see the light of day. I was going home late at night and leaving early in the morning, with no idea of anything around me except for the appointments I had to keep. So when my daughter told me, after a farewell dinner for the people we had been ferrying around, that someone had brought a doll to the empty lot across the street to our house and set it up directly across from our entrance, I had no idea what had happened.
The next morning, looking out from my daughter’s room to the banana tree-strewn plot of land across from us, the hairs on my arms stood up. It was a doll, probably carved of wood, standing as high as a 6- or 7-year old child. It wore saffron-colored clothing and it had golden designs painted onto its back. It was facing away from us — this is an important detail — and looking like it was striding away from us. But it was there. And it was very unwelcome. Even with its back to us, it was not a good sign.
Ask a Thai person near you about what it means when someone puts a doll in front of your house, and they will tell you that it is bad. If you have no Thai people around to ask, what I’ve gathered is this: it’s called a “ku man thong”, which normally means a baby spirit, summoned by an evil and powerful sorcerer who can make the spirit do his or her bidding. In the past, terrible things had to happen in order for a ku man thong to be created (sort of covered in the hit Thai TV series “Evil Lawyer” on Netflix). Today, you just have to go to the amulets section on Trok Nawa in Bangkok, which, coincidentally, is where we took our guests one afternoon.
There are, last we saw, two stores which sell “black magic” items, one of which devotes its time exclusively to the black arts. It’s a cursed-feeling place, where the items emanate a palpable feeling of hatred and where even people who don’t have an affinity for the stuff (or aren’t totally suggestible like me) get freaked out. The photo above, taken by my friend Nong, is one of the more benign photos she took. There’s one image with a chalk-whitened baby doll with blacked-out eyes that I swear is cursed. I would never pass that on.
I similarly felt it would be a bad idea to take a photo of the doll in front of my house, which — to a Thai person at least — denotes a high level of animosity against you, enough to want to curse you and your house. Again, it was facing away from us, which seemed like a relief. But the back was directly opposite of the door we use to enter and exit the house. It felt personal. It felt like someone really hated us.
I asked around, of course. My housekeeper, who believes in that stuff as much as I do, said that people “not from the neighborhood” left it one night, blindfolded, and then returned a few days later to remove the blindfold. That made the doll seem doubly dangerous. The elderly man down the road said the people who did it arrived in a black van. There was no other information forthcoming: a neighbor? A pissed-off former business partner of my husband’s? The chef at a restaurant I wrote about? There was no way to know.
I told my friend Nong, who kindly sent me a package of cascarilla with which to purify the house, both inside and outside. I made my housekeeper dust the perimeter and I scattered it in every room, leaving powdery white streaks on everything. Nong said I should make offerings at three temples and get a spirit house, where I should obtain a man, woman, and rooster figure for the house. I could then invite monks to bless the house and ask the monks the best place to set the spirit house up.
I had my husband ask the monk he gives alms to every day about what to do with the doll. “Our temple is full of these things,” he said he was told. “We don’t have room.”
I began to worry about the doll. Every day, I asked my husband for ways to get rid of it. I was told it was difficult because the land it was on wasn’t ours. But when I asked about contacting the actual owners of the land, he would resist. “I don’t feel anything from it,” he’d tell me. “It doesn’t bother me at all. If it bothers you, then it’s aimed at you.” That distressed me further, and I began to lose weight — something that only happens when I am very unhappy.
But after only a few days, I had to leave for a research trip in Laos. The doll issue was still unresolved. On my last trip back from town, I’d made the mistake of exiting the taxi from the wrong side, and the taxi had overshot my house. I’d caught a glimpse of the side of the doll’s face: black, with bubble cheeks like a young child smiling. I asked my husband if that was bad. “I don’t know,” I was told.
I flew to Luang Prabang, but on the tarmac on the way to the airport, I remember fantasizing about just giving in. I would walk onto the loamy soil on the other side of the street and face the doll, just like it wanted. I would hug its wooden body and clutch it as I fell backwards onto the ground, the weight of the doll pushing me further into the dirt. Only then could I be reclaimed by the mud, the bugs, the vines, all the things that I had somehow dug myself up from but had never managed to fully escape. I would go back to where I belonged.
A few days later — exactly 7 days after they had placed the doll — a traveling junk truck asked us if we would let them have the doll. We said yes. So they took the doll, using bare hands and everything, into the truck that trawls the Samut Prakan streets in search of trash to sell, and that was the end of that. I have yet to go home, but I think I’ll go see where it once stood, and see if there’s any bit if it remaining there. It doesn’t hurt to be sure.






